It’s Time to Wake up and Smell the Tape!

By Rich Gadomski

I just spent a full day at a meeting of the Active Archive Alliance and as I was flying home it occurred to me that it’s time for data storage managers to rise up from the sleepy status quo of buying more disk arrays to address runaway data growth problems. It’s time to wake up and smell the sweet aroma of freshly made modern data tape (sort of like that new car smell if you don’t know).

Why do that you ask? Because best practices and undeniable facts say so. Consider the following:

Data goes through a lifecycle from hot to cold, that is to say from a period of active use to a period of inactivity. This can happen in as little as 30 days or less.

Inactive data should not stay on primary storage devices. It takes up space on expensive storage media, consumes more energy and adds to the backup burden.

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Media & Entertainment’s Secret to Reducing Storage Costs

Kevin Benitez
Product Marketing Manager
FUJIFILM Recording Media U.S.A., Inc.

Over the past decade, the Media and Entertainment (M&E) industry has experienced a considerable increase in the amount of data generated due to the transition from traditional media workflows to fully digital environments. Today, the retention and accessibility of digital assets and video are incredibly vital to maintaining a competitive advantage. Fujifilm understands M&E companies’ digital storage challenges; that’s why companies like MLB, The LA Kings Ice Hockey Team, Chainsaw Edit, and others have turned to Fujifilm tape to ensure the integrity of their video assets while drastically reducing long-term storage costs.

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What is an Active Archive?

In this video, Fred Moore, president of Horison Information Strategies explains the benefits of an active archive including improving tape performance, providing random access to tape data, and eliminating mount time. Watch the video here for more information:

When it Comes to Video Surveillance, Active Archive Solutions Can Address the “Transparency Paradox”

Surveillance Desk

By Rich Gadomski
V.P. Marketing
FUJIFILM Recording Media U.S.A., Inc.

Have you ever noticed the grainy quality of surveillance footage shown on the local news broadcasts? Some unfortunate citizen is getting assaulted after making an ATM withdrawal and you feel like you’re watching a 1930s Charlie Chaplin rerun. The reason for this is that most organizations charged with surveilling public places can’t afford to do so in high resolution and certainly can’t afford to keep the surveillance content for any considerable period of time. Yet wouldn’t it be nice to easily ID the suspect and maybe go back to other video databases to see if there’s a pattern occurring over time?

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